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I do tend to prefer images with a natural background, however, images on white can be very useful. Still, I had never experimented with doing this with vehicles, because the standard way would require enough costly logistics that in my current financial situation, it wasn’t too realistic unless someone hired me to do it. Then one day I posted an image of a plane on Facebook and Instagram, and the background was nearly white. I began to think about that in relation with the following image.
With this image, Resurgence was in front of an open hangar door, in beautiful overcast light and the inside of the hangar was in shadow. I figured that if I burnt down the background I would have a beautiful shot that looked like it was done in a studio. Ecstatic with the results, I wondered if with a little playing around in Photoshop, I could get the on white look with cars and planes.
I started with the following shots.
The pavement behind the hangars at WAAAM is very bright and I determined that if you make a shot against their white, corrugated steel hangar walls, you would be well on your way to a white background shot. Unfortunately, I never liked that shot until I thought of this idea, so I had few shots to play with. The next step in Photoshop is to go into the Channels palette and pick the channel with the most contrast between the subject and background. Then, make a copy of that channel. Edit the levels on that channel to accentuate the contrast. Then click on the thumbnail of the channel while holding CTRL, this creates a luminance based selection. Invert this selection to select the vehicle instead of the background.
Next, turn off the visibility of the copied channel and reselect the composite RGB channel as your active channel. Go back to the layers palette and enter the refine edge dialog. Clean up the selection as much as you can here and export the results as a new layer with a layer mask. Now, with the underlying layers’ visibility turned off use your paint brush to refine the mask. Then create a layer between the original and the one with the vehicle masked out and fill it with white. This essentially finishes the process.
On the Waco YPF image, I also applied a surface blur to the shadow to get rid of the concrete texture.
Important lessons were learned in this process. I had earlier discussed with some folks at WAAAM that they felt images of their vehicles on white would be really cool. I said of course it would be possible, but quite a challenge. This experiment tells me that it would be easier than I originally envisioned. The results would be better if some equipment was rented; an actual white background, scrims to create clean reflections on shiny surfaces, etc. It can be done outside though, this goes along way to making it easier than I originally thought. Plus the method, outlined here can work, with the biggest challenge being catching ugly reflections in the shiny surfaces of the vehicles.
Click here to see these white background images closer, here to see the originals. Also take a look at my automotive, or aviation portfolio. Please contact me with any questions, or if you’d like me to do some photographic work for you.